I would actually prefer these functions rather than an effect control, which I dont really use anyway. This one is shown as a two button switch setup that is marked clean/crunch on the left, (channel 1 on the amp has the clean/crunch choice), and overdrive on the right. What I'm trying to find out is if the the model 90010 pedal is compatible with this amp. I've found some info saying the 90010 pedal is only compatible with the MG50CFX, but other saying it works for any FX model amp (but cant figure out if that includes the DFX models.)Īny footswitch experts out there, any info or input appreciated! It sounds like the the pedal it originally came with was a two switch unit (near as I can determine model 90004), on which the left switch is marked channel - obviously for switching between clean and overdrive channels - and the right switch that is labeled DFX, I assume for turning the effects section on and off. In fact possibly the loudest sixty bucks I've ever spent.Īnyway, I'm wanting a Marshall footswitch for it. Reasonable sound for a solid state, acceptably versatile, and, uh.loud. I wasnt expecting much, I had to rip out and replace the crappy cooling fan, but after that was somewhat surprised at the performance, especially given the lack of lovin' its received in ampland. Wait, why you ask? Well, because it was only $60. But you can do a lot better.Hey all, I recently bought an MG100dfx combo. And maybe if you just need something sort of loud and you can find it for less than $300 used maybe it will work. I think if you're down with the really bad metal guitar sound (way too much gain, no mids), you can probably deal with this thing. The other guitar player still plays on the MG100HDFXs and it's an indistict to shrilly blur. My guitars sound pretty good through it and the band can hear me. I ended up picking up a Katana head (about $300) to slap on this when I'm in the space (will fit in a large backpack). Somebody might be able to find the right pedal to put in front of it I couldn't. The clean channel seems okay if that's what you're into. And no matter the EQ tweaking, whoever is playing on that amp is not able to cut through the mix with the bass and drummer until you're melting everybody's ears with nasty, loud garbage. So you crank up the gain and you just get a cacophony of dissonant garbage. It's that weird deal where at lower settings it doesn't have enough gain but is somehow just really nasty and hissy. The overdrive channel on this thing is atrocious. I'm pretty good about just finding a reasonable setting on an any non-terrible amp and going with it. The other guitar player in my band always plays on these at the practice space with his LTDs (including one with EMGs). I tried making this head work with my Gibson SGs (490t, 498t pickups), my Les Paul (498t), or my Yamaha Revstar. Just show up and plug in, right? Not for me. Nearly every one of their rooms have these heads with the usual 4x12 Marshall cab that is sold with them. Keep in mind that I'm not a fancy equipment guy my current main amp is a Fender Mustang GT 100 combo.
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